Panasonic posted this image with the following text:
Whatever the challenge, professionals get results. To capture that fleeting moment in often challenging locations, you may have to bide your time with camera at the ready.
Countless modifications and repeated prototyping are needed to finally arrive at the ideal shape with a reassuringly stable grip, a form refined enough to shoot for long periods and to carry, a design suitable for any location.
I got this from a source:
I have it from a good source that Panasonic is seriously looking at a S35 or Full Frame Video and Stills camera with internal 4K Raw recording and Live streaming with Integrated Apps for photo and video sharing to platforms such as Facebook, Twitter, Instagram etc….
The internal Raw recording will be in 4K but the video sharing will be a 4K compressed codec with different 8bit and 10bit 4:2:2 recording options also available.
One of the apps designed for the camera will allow limited video and photo editing before sharing (similar to an iPhone)These camera/s will have IBIS and AF / face tracking similar to Canons Dual Pixel AF, and contain inbuilt ND’s. The cameras will also have large articulating touchscreen with a built in audio adaptor.
The source says one or two different version of the cameras are being considered, with modular add ons such as adjustable handgrip, moveable viewfinder etc…
He says to think of a cross between the current Blackmagic 4K Pocket Camera and a Canon XC15 with audio adaptor.The are set to be announced around NAB 2019
Soundimagesplus shared his interesting thoughts about the L-mount. I am only sharing the final conclusion here:
It’s impossible to know whether Panasonic can penetrate the Canon / Nikon professional market. They will certainly have to prove themselves to working photographers, whose concerns are about reliability and the overall robustness of the system. I’m certainly thinking that we may well be talking about 5 years down the line. However if Panasonic can get a working 8K hybrid camera out for the Tokyo Olympics, then that may speed things up. Lets not forget that 8K provides for 36MP stills, via video ‘grabs’, which may mean that when that emerges we will all be shooting on video and sorting out the stills later.
The said S1R does seem to be what I hoped. A ‘Full Frame’ G9. So will the L Mount rule? Well for me the answer is yes it will and I suspect that if Panasonic get it right, it will for lot’s of other people too.
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You can join the new L Full Frame Facebook group if you plan to buy this camera. There you can discuss all features and tests once it’s released!
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A one hour video discussing the Panasonic FF & m43 future with Lumix Ambassadors Shiv Verma and Don Komarechka.
Don ravine posted this interesing report on our L-mount facebook group:
There have been people asking if they could adapt a micro four thirds lens to the L mount. Personally, I can’t think why you’d want to as the two systems have nothing in common but, hey, people love to experiment!
So … I grabbed a m4/3 lens and simply held it flush against my only L-mount body. This lens is a prototype Noktor 12mm (which later was sold under the SLR Magic name). It has manual focus and aperture, which bypasses all the electronic issues you’d face with most m4/3 lenses.
With focus set on infinity and lens held tight against the body, focus was achieved at only 9 inches. That effect would be less with longer focal lengths but nothing would achieve even close to infinity focus.
Even on APSC, there is significant vignetting, as you’d expect. However, the image circle on that particular lens is tighter than most so other lenses may be better in that regard. Good news is that the lens misses the electronic contacts and there is no mechanical interference. Bad news is that any adaptor has to lift the lens even further from the mount. On a positive note, colour, contrast and sharpness near the centre were stellar on my test pic!
In conclusion, it can be done but it’s only ever going to work for macro. Further, only the mechanical lenses (Voigtlander and the like) will have any real chance of controlling aperture or focus.
