Sirui will soon launch their first Full Frame 50mm t/2.9 anamorphic lens for 1,199USD on Indiegogo

On October the 12th, SIRUI launch the 50mm T2.9 1.6x Full-Frame Anamorphic Lens on Indiegogo. It is the First Full-Frame Anamorphic Lens from SIRUI with squeeze factor-2.8:1 CinemaScope Aspect Ratio.

Key specs:

👉Wider than Wide features a 1.6 times squeeze factor
👉Immersive Experience – 2.8:1 CinemaScope Aspect Ratio
👉Match Perfectly with Full frame Cameras for RF, L, E, Z mount
👉Beautiful Oval Bokeh
👉Vibrant Lens Flares
👉A Maximum Aperture of T2.9
👉Solid Build Quality

Those are the rumored Sigma 18-50mm F2.8 DC DN Contemporary lens specs

Probably next week Sigma will announce the new 18-50mm F2.8 DC DN Contemporary lens. Here are the specs:

13 elements in 10 groups
minimum shooting distance 12.1cm (wide angle) / 30cm (telephoto)
maximum shooting magnification 1: 2.8 (wide angle) / 1: 5 (telephoto)
filter diameter 55mm
size φ65.4 × 74.5mm (E-mount version φ61.6×76.5mm)
weight 290g.

via Nokishita

Chinese company Higizmos made this new 60mm anamorphic L-mount lens

The Chinese company Higizmos company released a new full-frame anamorphic cinema lens called “Great Jo”. It’s a low-cost 60mm 1.33x anamorphic lens priced at US$749. It’s made of 13 elements and 10 groups optical structure​​​​. No idea if this thing will be sold outside China too. The images show the E-mount version but there will be a L-mount version too.

 

Lumix 24mm F/1.8 review by Photographyblog

Preorders: 24mm lens at BHphoto. Adorama.

Photographyblog published the full lens review and concluded:

The new Lumix S 24mm F1.8 is one of the more affordable lenses available in the still relatively new Panasonic full-frame mirrorless system, but thankfully it out-performs its modest price-tag.
There’s lots to like in terms of the Panasonic Lumix S 24mm F1.8’s image quality, and very little to complain about.
This lens is sharp almost from the get-go, excellent in both the centre and at the edges of the frame when shooting wide open at f/1.8, and simply outstanding between f/2.8 and f/11.
It’s also capable of producing some very nice bokeh effects for what is after all only an f/1.8 lens.
There is some obvious vignetting wide-open at f/1.8, but this can easily be corrected in post-processing, or you can stop down to f/4 to help avoid it altogether.
Chromatic aberrations are very well controlled and it even produces some nice sun-star effects at f/16.
The build quality is very good, with the built-in weather-proofing offering some peace of mind in more inclement conditions.
Auto-focusing proved to be fairly quick and reliable on the Panasonic Lumix S5 camera body that we tested the lens with thanks to the 240fps linear motor.
In addition the focus mechanism is barely audible, making the lens very well-suited to video use.
There’s no manual focus over-ride available at any time, though, and the lens lacks its own optical image stabilisation system, instead relying on the camera body (if it has one).
With a full retail price of £799.99 / €899.99 / $899.99, the Panasonic Lumix S 24mm F1.8 offers a lot in terms of its value for money.
It makes for a very nice partner when paired with the diminutive Lumix S5 camera that we reviewed it with.
Overall, it certainly fits the bill as a fast, high quality yet affordable wide-angle prime lens for Panasonic S full-frame camera users.